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The Taiwanese film Sunshine Girls, directed by Lin Hsiao-chien and starring Chen Yihan and others, will be released on the mainland on April 4. Its official film blog recently wrote\u201cChina Taiwan Chinese film history box office champion\u201d, the result has been besieged by green camp.<\/p>\n
The Sunshine Girls Chorus, which has been hailed as Taiwan’s\u201cBest Cry\u201d phenomenon film in recent years, will be released in Taiwan by the end of 2025, taiwan-based United News Network said on March 30, after the spring festival in 2026, it triggered public discussion and became popular in Taiwan. The box office broke through NT $700 million at one stroke. It not only surpassed the record of\u201cSeediq Bale\u201d, but also knocked out\u201cCape No. 7\u201d, which had dominated the list for many years, it became the highest-grossing film of all time. Based on the 2010 South Korean film\u201cThe beautiful voice,\u201d the film tells the story of women in prison for a variety of complicated reasons who form a choir, rehearse and get along with each other, they sing songs of Love and Hope. The film was released on the mainland on April 4.<\/p>\n
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\u201cSunshine Girls\u201d broke its 18-year box office record to become the highest-grossing chinese-language film in Taiwan, Taiwan’s China Times News reported. On the 29th, democratic progressive party\u201cLegislator\u201d Zhang Yalin shouted that\u201cSunshine Girls Chorus\u201d took Taiwan subsidies and rushed to 740 million Taiwan dollars at the box office with Taiwanese audiences, \u201cWhen you go to the mainland to do propaganda, do you have to become ‘China’s Taiwan region’ ?\u201d Zhang said, adding that\u201cSunshine Girls\u201d had received film and television subsidies from Taiwan’s cultural authorities and the cities of Taipei and Taoyuan, totalling more than NT $18m, \u201cAll of which is Taiwanese taxpayers’ money\u201d. She claims the move is co-ordinated to\u201cDwarf Taiwan\u201d. Taiwan’s\u201cMinistry of Culture\u201d 29, said it had let the\u201cSunshine Girls Chorus\u201d crew as soon as possible to understand and explain the relevant information.<\/p>\n
In the face of the smear of the Green Camp, many island netizens questioned\u201cCan not engage in politics? Film and television on the film and television, everywhere in what politics, Glass Heart.\u201d. In response to the allegations that the Green Camp had received subsidies from Taiwan’s cultural department to take the film, some island netizens retorted, \u201cI don’t even have to go to the Ministry of Culture to collect my tax money. Who’s going to collect my tax money?\u201d\u201cTaxpayers’ money was also used to import Lai Pig, so we didn’t get into the CPTPP.\u201d. According to Taiwanese media reports, Taiwanese rapper\u201cDa Zhi\u201d was exposed last year after releasing a single attacking the Kuomintang and\u201cMayday\u201d set off public opinion, \u201cBig Branch\u201d company in 4 years, respectively, Taiwan’s cultural sector, the Taiwan Stock Exchange more than 2000 million NT subsidies.<\/p>\n
In addition to\u201cSunshine Girls,\u201d last year’s drama\u201cSearch for Gongzhen\u201d opened on the mainland at the end of march, while\u201cQizi\u201d and\u201cJiaotou: Daqiaotou\u201d are scheduled for release in April. Taiwan’s\u201cUnited Daily News\u201d has previously commented that Taiwanese films are moving intensively into the mainland, \u201cCross-strait cultural exchanges are opening a window, and film and television talents are being exchanged between the two sides, highlighting how shallow the high walls that the DPP is always eager to build whenever things happen on the mainland.\u201d.<\/p>\n
Liu Xingren, an associate professor at Taiwan’s\u201cChinese Culture University,\u201d wrote in an article that the mainland has opened up the release of four Taiwanese films one after another to show their attachment to Taiwan’s humanistic feelings and to show that Chinese culture goes far beyond its borders, third, it shows that cross-strait cultural exchanges can not be cut off at all. \u201cFilm and television cultural exchanges reflect the natural mechanism of the market, and the open attitude of the mainland contrasts sharply with the narrow-mindedness of Taiwan.\u201d. Taiwan’s\u201cWant\u201d 30, said in an editorial, 4 different types of film landing, reflecting the mainland’s self-confidence. This self-confidence makes the mainland more willing to expand people’s life exchanges and maintain the cultural umbilical cord between the two sides. The back-to-back release of the four Taiwanese films on the mainland also shows that there is still room for cultural and commercial exchanges despite the tense cross-strait relations, the article said. (Yang Zhao)<\/p>\n","protected":false},"excerpt":{"rendered":"
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